The Dieselpunk Encyclopedia is proud to present Sam Van Olffen, one of the greatest dieselpunk artists.
For starters, a short quote from his conversation with Tome Wilson (Dieselpunks.org, Aug. 27, 2009):
This will sound strange but I don’t think that anything comes directly from my brain. I’m just a vector, a kind of supra-physical translator. I’m not kidding. I just use information to make pictures, much as a computer makes pictures with binary language. My synapses translate data which comes from I don’t know where. That’s my role.
Another quote, from an interview published on jacksondeep.com (Oct. 8, 2010):
I’m more interested in the past as a way to understand the present and how in less than one century we all became “citizens of the age of the ephemera” as Alvin Toffler said pertinently. The lost civilizations, the great conflicts, men, discoveries, etc., whole those new quantic waves that were shaping the face of humanity. Needless to say it was more impressive than… Facebook!
There’s a lot to argue about but let’s put the argument aside. And proceed to the third interview, for the Gatehouse Gazette (#8, August 2009):
I have always wanted to create universes and characters, tell stories. I have always been attracted by science fiction and fantasy worlds, robots and monsters.I like big cities, pollution, oppressive atmospheres and everything connected with death. I like architecture and above all I like history. I let things happen. With all these elements combined you get dieselpunk. <…> You are right when you think dieselpunk fits my own style more. It is darker. Dieselpunk is the psychopathic son of steampunk.
You probably know that the art of Sam Van Olffen is often labeled as ‘steampunk’. Well, it’s easy, with all these top hats and balloons, Belle Epoque and Art Nouveau aesthetics. But the artist sees himself as a dieselpunk, expanding the genre’s limitations, crossing the borders, threading new paths. Let’s take a look: