4.3 Dieselpunk Music
Robyn Adele Anderson (Lead Singer) of Postmodern Jukebox
Dieselpunk music combines elements of Blues, Jazz, Ragtime, Cabaret, Swing, Spasm, and Bluegrass commonly found during the diesel era with contemporary instrumentation, production, and composition. Some commonly referenced examples of dieselpunk bands are: Cherry Poppn’ Daddies, Big Bad Voodoo Daddy, Royal Crown Revue, Squirrel Nut Zippers, The Brian Setzer Orchestra, Indigo Swing, Wolfgang Parker, The End Times Spasm Band, Diablo Swing Orchestra, The Puppini Sisters, and Lee Press-On and the Nails. Industrial dieselpunk is nurtured by RPM Orchestra. Recording artist Thomas Dolby has announced an album that will tie into his “Dieselpunk dystopia” game titled the same as the game, The Floating City.
There has been a growth of a Dieselpunk music referred to as Electro-Swing, which combines the styles of Swing music with Electronica. Prominent bands within the Electro-Swing include Good Co, Caravan Palace and Tape Five.
On January 4, 2012, the Cherry Poppin’ Daddies announced that they’re going back to their swing roots with the release of a new CD “White Teeth, Black Thoughts”. The lead singer Steve Perry at their web site posted in the band notes: “I’ve got a lot of stuff together, but this recording when it’s finish, is going to concentrate on swing predominantly, but with a slight side order of rockabilly/ psychobilly…” On April 9, 2013 the band announced that that pre-orders were being accepted for the new album.
On October 29, 2012, Paul Shapera released an EP titled “The Dieselpunk Radio Hour (Act 1 Demo)”. The Dieselpunk Radio Hour is essentially a rock opera about an imaginary nation in the midst of a civil war.
According to the artist blog, this was a work in progress towards a full opera in the Acts. The artist released the completed production that was retitled “The New Albion Radio Hour, A Dieselpunk Opera” on May 20, 2013.
On November 9, 2012, the Steampunk band The Clockwork Dolls released a Dieselpunk EP titled “When Banners Fall.” According to an article by Mark Rossmore at Steampunk-Music.Com, posted November 7, 2012, “History holds far more drama, horror, comedy, and action than fiction could ever conjure up. Seizing history by the heart, steampunk band The Clockwork Dolls have steered away from the symphonic airship opera of their debut album Dramatis Personae towards the real heroism and gutwrenching emotion of the Second World War’s D-Day Invasion.
The result is When Banners Fall, a sweeping, orchestral look at a monumental event that changed the world. The band has crafted a memorable journey, mixing archival recordings from the period with original music and soaring operatic vocals. For lovers of history and cinematic music, this is not an album to miss.”
On December 13, 2012 at the web site Dieselpunks.org, Allison Curval with the Clockwork Dolls posted that the band would be “sticking with the WWII motif with our followup album.”
In November, 2012, the band Escape the Clouds offered a free downloads of some of their songs. According to their site: “In honor of International Dieselpunk Day, Escape the Clouds presents a free sampler covering three years’ worth of albums. We’re immediately thrown into the cockpit on the “The Air Race”, a song capturing the intensity of the world’s fastest motorsport. We move on to “One Bullet” and follow an aerial hitman on his latest job. On “Lady in Waiting” Unwoman lends her vocals to a tale of hidden love. The instrumental “Among the Stars” takes us into the sky in search of hope. “Little Revolutions” caps the sampler with a story of Cold War heroism.”
The Electric Swing Circus are a six piece electro swing band based in Birmingham, UK that fuses 1920′s swing with electronica. The band is organized as a cooperative and has been featured in both cooperative events and press. On May 9, 2013 the band released their debut album, which they funded through Crowdfunder.
On May 16, 2013 a companion CD featuring jazz recordings by The Bryan Ferry Orchestra titled “The Great Gatsby: Jazz Recordings (A Selection of Yellow Cocktail Music)” was released that reworked the official soundtrack into a traditional 1920s style making this a Dieselpunk CD with its retro sound to modern music.
The heading of the web site Postmodern Jukebox includes “An Alternate History of Pop Music”. The bandleader and composer Scott Bradlee describes himself as having a “love/hate relationship with pop music.” Many of the songs consist of contemporary pop music that has been reimagined into styles of the past.
Their music includes a Big Band version of “Drunk in Love”, a 1930s version of “Careless Whisper”, 1920s flapper style of “Fancy”, 1940s version of “Just Dance”, a 1920s version of “Gentlemen”, a 1940s version of “Beauty and a Beat”, a ragtime version of “Thrift Shop”, and more. On May 28, 2014, Postmodern Jukebox played at The Kennedy Center. During 2014, the band toured both the United States and Europe.
Retropolitain described itself in a post on Dieselpunk.org as a “French dieselpunk band”. In the post, the band described its music as “a mix between electroswing and dark cabaret, with the player bellow. It’s a bit different, because we work with acoustic instruments such as pianos, violins, contrabasses, and drums.”
- Dieselpunk Music by Larry Amyett
- The Bad Boys of Swing: An interview with Lee Presson and Review: Lee Presson and the Nails vs. The Queen Mary by Jonny B. Goode
- Interview: Doug Bell of the Bellevue Cadillac by Larry Amyett
- Interview: The End Times Spasm Band by Larry Amyett
- Interview with Carey Rayburn, bandleader of Good Co and trumpeter of Abney Park by Tome Wilson
- Interview – RPM Orchestra by Tome Wilson
- INTERVIEW – Wolfgang Parker, Pioneer of Punk Swing by Tome Wilson
- My Life with the Big Bad Voodoo Daddy by Tome Wilson
- Creating Dieselpunk Music by Hayen Mill