Our Gallery: The Streamlined World of Robert LaDuke

Only recently we discovered a modern artist who perfectly combines Diesel Era artifacts with today’s attitude. His artwork won’t seem out of place in a 1930s club or post office or gallery. But is it old-fashioned? Just well-rooted.

Swimming by Robert LaDuke (2012)

A short note from Bonner David Gallery website:

LaDuke’s narrative paintings are a combination of memories, dreams and everyday life, and as such his work remains open-ended. Paintings which tell a complete story from beginning to end are not compelling to him. He puts a lot of personal iconography into each piece, but does not wish to dictate a strict narrative.

LaDuke prefers viewers find their own interpretation of his work. Ideally, LaDuke’s desire is to paint works which create more questions than answers. Viewers are free to imagine multiple meanings in his work…

We can add something: Robert LaDuke’s post-modernism has a lot in common with 1920s and 1930s metaphysical art. The objects – all these aircraft, locomotives, skyscrapers, cars and trailers – are recognizable and realistic but the atmosphere is surreal, enigmatic, unpredictable.

Let’s open our eyes and turn our imagination on.

 

Our Gallery: Found in Transition

A few months ago, we did our best to furnish your Dieselpunk setting with 1910s artifacts. Not Diesel Era yet but certainly not Steam Age. How should we call this period – Edwardian? Maybe, but King Edward VII left this world on May 6, 1910. Proto-Diesel? Too pompous. Let’s agree on a somewhat less spectacular but chronologically correct term – Transition. A bridge between two great eras, embracing old and new aesthetics and ideas.

Today, we’d like to celebrate Speed and Power. For example, the car above, the Blitzen Benz, is powered by a 21.5-litre 200hp engine. On April 23, 1911, Bob Burman – remember the guy with goggles? – piloted it to an average of 228.1 kilometres per hour (141.7 mph) over a full mile at Daytona Beach, a record that would not be surpassed until 1919.

 

Our Gallery: The Vision of Tim Huhn

Dieselpunk Encyclopedia is happy to present: Tim Huhn and his Art Deco Series.

On the Just Looking Gallery website there is a short info about the artist:

After graduating from the prestigious California College of Arts and Crafts with a Bachelors degree in Fine Arts and Illustration Huhn worked as a commercial illustrator for companies such as Disney, Universal Studios, Sony & Mattel. After leaving Los Angeles and the commercial world of art, Huhn began to develop a body of fine art while living on the Central Coast of California. Huhn’s experience as an illustrator has enabled him to work in a number of mediums and styles including photorealism and art deco.

Dawn of a New Age by Tim Huhn

We can add something:Tim Huhn’s artwork bears more than a passing resemblance to the famous WPA murals. It’s fun to see a modern artist who, just like his idealistic forerunners in 1930s, is not afraid of figurative art. An artist whose creations are full of positive spirit.

 

Our Gallery: Dieselpunk Architecture

Francisco Salamone (1897-1959) was an Italian-Argentine architect who lived and worked in Argentina, built in just four years, between 1936 and 1940, more than 60 buildings in 25 municipalities of the Province of Buenos Aires.
Monumental Art Deco buildings, including cemeteries, municipalities, slaughterhouses, squares and bridges.
They were forgotten until recent years and today they are revalued. (Source)

Guaminì – Municipality building by Walter E. Kurtz @ Flickr

It’s hard to define the style of Salamone – maybe it’s a very special kind of Art Deco, influenced by Italian Futurism, maybe “monumental modernism” label suits it better. Anyway, this architect (you can read more about him on Dieselpunks.org) built a perfect setting for a Dieselpunk story, dark or bright, Ottensian or Piecraftian.

Let’s enter this strange world of municipal edifices, slaughterhouses and cemeteries.

 

Our Gallery: The Adventures of the 19XX

Dieselpunk is proud to present The 19XX Organization.

Somewhere in the 20th century…

not long after the end of the Great War, those who were capable of hearing it, received a revelation… another Great War was coming. This coming war would push the limits of technology, split the atom to create the power of a small star, and bring together forces more evil than the world has ever known. That this war would happen was man’s fatal destiny, but the outcome of the war and the details of it were not as clear. A weak League of Nations banded together to form a group. A group capable of doing what those countries could not. A group of adventurers, explorers, and scientists from every allied country to search the globe and fight a battle far from the public eye. This group is The 19XX, all the public has been told is that they are fighting for all of the good in humanity to survive the nineteen hundreds and beyond.

19XX two-page spread

Their mission is to track down every powerful relic, every modern and undiscovered weapon, and every magic incantation ever uttered on the earth’s crust, because the forces of evil responsible for the next Great War would be searching for the very same thing. Nothing in the realm of the tangible or intangible is off limits when the fate of the entire world is at stake.